Maybe you frequently think back to your last interaction or plan your next meeting. In short, while there’s no single way to fall in love, you’ll probably notice a few key physical and emotional signs: Your thoughts return to them regularly This could temper the feelings of euphoria and impulsivity that often accompany the first stages of love. If you’ve experienced relationship abuse or betrayal, you might feel cautious about letting your guard down again. People often talk about love as if everyone experiences it in the same way, but life experiences and relationship history can alter the course of “typical” romantic attraction. Someone who falls for their best friend, for example, might notice their long-standing platonic love become more romantic and sexually charged almost overnight.Īnd, of course, the love you feel for friends, or platonic love, can still run pretty deep - even though it doesn’t involve any romantic or sexual attraction. You can also develop romantic love without experiencing euphoric, heart-pounding excitement. Once the first intensity fades, your feelings begin to wither without taking root. Maybe you fall for someone you just met, but you eventually realize the first blush of love has tinted your view. Eventually, these surging feelings often settle into a deeper affection with the help of oxytocin, a hormone that plays a role in attachment.īut feelings of love don’t always follow a linear path. Higher-than-usual levels of hormones, like dopamine and norepinephrine, drive the intensity of these early feelings. Over time, that just-fell-in-love feeling often transforms into something less charged, but more stable and lasting. The first flicker of love, when you fall head over heels for someone, often seems more like infatuation, complete with plenty of excitement and nervousness.Īnd if it’s mutual? The euphoric bliss many people experience can keep you and your partner completely wrapped up in each other. He was a little.not crazy, but somebody with that kind of thinking must be somewhere else, in another zone sometimes.Sometimes, it progresses through specific stages. He's somebody that would use pliers and a screwdriver to create percussion he wouldn't hesitate to experiment. The approach he has to music and to recording, I think the music nowadays lack that kind of intuition. As he explained, 'It was so simple that it became complex. Looking back on the sessions documented on this LP, Rugs said that Perry's creativity taught him that music could be limitless. Somehow the sublime rendition of William DeVaughans' 'Be Thankful', recorded during the same session, was left off the LP - but appears here as a bonus track on the CD along with I Never Had It So Good & Hip Harry + it's version track. while the broken-hearted 'What's The Use' was cut at the request of Sonia Pottinger, who ultimately failed to release it. The Bee Gees' evergreen 'To Love Somebody' takes James Carr's soulful rendition as its reference and 'Big May' re-works the 'Return Of Django'/'Sick And Tired' rhythm, with a new drum part. Highlights include the sought after Blaxploitation-influenced funk track 'Kinky Fly' featuring members of The Chi-Lites' backing band, passing through Perry's infamous studio whilst in Jamaica for a series of shows - their horn section and Chinna Smith's wah-wah guitar give the track its outstanding difference as synth overdubs add to the moody feeling, underpinned by the ghostly click tracks of the Conn Rhythm Unit (constituting one of Perry's earliest experiments with drum machines).īreakup track 'Second Avenue' shows how suited Rugs' powerful, deep tenor was suited to a soul framework, the Chi-Lites' horns again making a striking difference. The album captures the laid-back sessions of the early Black Ark, with a few surprising innovations lurking amongst the soul covers and love ballads. The late Bunny Rugs was best known as the frontman for legendary reggae band Third World, but prior to that he completed an apprenticeship at Lee Perry's Black Ark resulting in this solo LP, originally released in 1975 and credited to Bunny Scott. Both formats feature liner notes from author of the acclaimed People Funny Boy: The Genius of Lee 'Scratch' Perry and Solid Foundation: An Oral History of Reggae, David Katz. Freestyle Records are proud to present the first ever reissue of this rare Black Ark-era Lee "Scratch" Perry production on LP & CD w/ bonus tracks.
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